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mccarthyism

"memory takes a lot of poetic license. it omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart." :tennessee williams, "the glass menagerie"

2.12.2012

Reading “All the Pretty Horses,” but really listening to the Clientele. Clientele, Clientele, Clientele. The only band that matters. Not really, of course, but every band worth listening to will feel that way to you at times. I saw the videos for “Reflections after Jane” and “House on Fire” a few months ago while I was at Thomas and Katie’s, babysitting for Eden. I had put her down to sleep and I was in their living room for several hours before they got home, and I watched those two videos, on Matt’s recommendation. I probably watched them five times each that evening, and listened to their first record, too…crazy that you can do that now. “Reflections after Jane” is still maybe my favorite song of theirs, largely because of the association of that evening I’m sure. It was the perfect thing to listen to, all by yourself with a little girl asleep in the next room. I also worked on a story I was writing at the time, though nothing came of that.

I’ve also been listening to Felt, and they’re great too, probably better, but harder to get into…I like the song “The World is as Soft as Lace.” They have an extra dimension that the Clientele don’t have, a depth of thought. The Clientele guy is terrific, and he can write some lovely stuff (“Butterflies with gilded wings this morning/touched the red sun and the rain…”). He is pretty one dimensional, though, a little too melancholy and more than a little trite…but that’s not why you love it. It’s a feeling; you have to play it by its own rules. Anyway it’s the music I find myself putting on just about every time I go to put on music, if I’m not careful. The Clientele, Felt, Belle and Sebastian, Orange Juice...The Clientele…

A friend accused me recently of only liking shoegaze and post punk, and he was right for the most part... Music used to be much more of a thing for me. I used to spend quite a lot of time just listening to music, with headphones or just sitting in me and Matt’s old room…I don’t know if I’m just busy now or what, but I don’t do that much anymore. It’s become much more of a background thing. So much of the music I used to love I love now just in theory, and in reality only on rare occasions. Can you just get bored with music? Do I need to start branching out into other genres? The only music I love unconditionally and with no reservations is Lee Bozeman’s stuff - Luxury, and especially the Orient Is His Name stuff - and Low, and Starflyer 59. That's the good stuff, the true and honest stuff. The rest of it is mostly for the background, for a mood, when I’m just “around the house” or at work.

I’m such a tool. Sorry about that… I need to get back to reading Cormac McCarthy.

posted by ethan  # 2/12/2012 12:31:00 AM

2.01.2012

This is from Alexander Sokurov’s film “Dialogues with Solzhenitsyn.” It was filmed in and around Solzhenitsyn’s house outside Moscow in 1998, and most of it is Sokurov talking with Solzhenitsyn. Just seeing the great man himself on screen was enough to hold my rapt attention. It’s full of great sound-bytes like this one. If it seems to wander a little bit, that’s because Solzhenitsyn treats every question on several levels.

“Some people know that God exists, even some scientists. Some great physicists know it, others don’t know. One knows, another doesn’t. No, it must be in the heart. One must live with it. Morality is not attained by knowledge. It is attained first in a child’s upbringing, and later by a self-teaching.”

I especially like the idea of a “self-teaching.” It’s all through his novels, particularly “In the First Circle,” and correlates to Solzhenitsyn’s own experience in the gulags. It’s especially poignant in light of the oppressive, manipulative communist state he lived in. What a man he was.

posted by ethan  # 2/01/2012 04:20:00 PM

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